Born and raised in The Netherlands but I have lived in England for over 20 years. I studied art history (architectural history) and philosophy at the VU university in Amsterdam. I stayed on after my Masters to do a Ph.D in art history. When my children were born I left academia, but art history was never far away, and it became fused into my work as a visual artist, especially early modern lace.

I am diving back into academia through an MSc in Ancient History (online) at the University of Edinburgh. I am writing my dissertation on Roman funerary portraiture. Life beyond graduation is still unclear but I am looking forward to more research projects!

  • MSc Ancient Worlds, University of Edinburgh (in progress, exp. spring 2024)
  • Ph.D Art and Architectural History, Vrije Universiteit Amsterdam (VU) / University of Groningen, 2006
  • MA Art and Architectural History, Vrije Universiteit Amsterdam (VU), 1998
Interests: Portraiture, Roman Art & History, Classics, Reception of Classical Art, 16th and 17th century Dutch and English Art, Aesthetics and Theory of Arts, Tudor/Stuart Britain, Lace History. 


MSc Ancient Worlds. Dissertation research into Roman funerary portraiture. Ongoing. 

Lace in Early Modern Portraiture. The role of lace in Dutch and English 17th century portraiture. In 2013 I was award the BP Travel Award by National Portrait Gallery London. In this project I combined art historic research with painting. I exhibited my work (2014-2017), wrote blog posts, gave talks and interviews, and self-published a book. Recent blog posts feature Rembrandt and Hilliard (2022-2023). 

Portland Collection. The Harley Gallery invited me to research The Portland Collection (the historic art collection of Welbeck Abbey) and create an exhibition of new paintings inspired by it (2016-2017).

Ph.D Art History University of Groningen/Vrije Universiteit Amsterdam (2006)
Staged Experiences. Architecture and rhetoric in the work of Sir Henry Wotton, Nicholas Hawksmoor and Sir John Vanbrugh.
My Ph.D research focussed on the role of classical rhetoric in English 17th and early 18th century architecture. VU University Amsterdam. Degree awarded at University of Groningen.


Sophie Ploeg, The 17th-Century Golden Age of Dutch Paintings: Dogs are Everywhere, The Bark, Fall 2017, issue 91, pp. 72-79.

Sophie Ploeg, The Lace Trail. Fabric And Lace In Early 17th Century Portraiture. An Interpretation In Paint, Blurb, 2014 (self-published book to coincide with the BP Travel Award project, on sale during the BP Portrait Award exhibition at the National Portrait Gallery shop).

Sophie Ploeg, Staged experiences: the church designs of Nicholas Hawksmoor, in: Winters, E., Eck, C.A. van, Dealing with the Visual. Art History, Aesthetics and Visual Culture, Routledge, 2005, pp. 215-37.

Sophie Ploeg, Nederland en het Neoclassicisme, in: Kunstlicht, 20 (1999), nr. 2.

See also my Blog for most of my writing. See for publications for artists my painting CV


There were various speaking engagements during my PhD (1998-2006), for the BP Travel Award project (2014-15), and I have given numerous painting demonstrations (2014-18). 


(non academic) I have taught painting workshops for a few years, before I moved all painting classes online. I have created numerous online video courses for artists, which are now accessible through my website