Busting the Myths of Oil Painting has been a theme throughout this blog for many years. Some of the articles have reached a very large audience. I have been writing about toxicitiy, brushes, mediums and much more. Most of it came out of my own experience of being reluctant to use oil paint at first. I thought oil paint was difficult, toxic maybe, and complicated. So I stayed away. But I have learned that none of this is true and I am keen to bust the myths still out there.
I have written a lot about toxicity. As I was keen myself to keep my (home) studio as safe as possible for my kids and pet, I tried to find out as much as I could about toxicity. I never did use solvents and when my kids grew older and I started trying them out I found out I reacted quite severely to some toxins used in oil painting. So I kept working solvent-free, now not only because of my children and pet, but also because of my own health.
Working without toxic materials seems to be increasingly popular. While we had to struggle to find articles on the subject ten years ago, the internet is now full of suggestions and ideas. Paint manufacturers are increasingly including safer mediums and paints into their range. Legislation is becoming tighter as well.
I am not saying we should all work without solvents or toxic materials. I use the odd toxic pigment, and a swish in some solvent does clean a brush mighty fast indeed. I believe we should all do what works best for us.
But it is important to have as much info as possible. And as I thought (wrongly!) that oil painting was toxic and complicated, I am now keen to inform, so that nobody stays away from this beautiful painting medium because of some myths.
Besides toxicity I have written on brushes, mediums, supports, paints and so much more. The world of oil painting is fantastic and large. But I am no technician and no scientist. There are experts out there who know the nitty-gritty of it all. I am just a fellow artist and I want to spread some common sense and love for painting. 🙂
Below are just a few of the articles in this series. I picked out the articles on technique, toxicity and paints. Hope you will find it useful!
One of the most misunderstood and feared ‘rules’ of oil painting. It took me a while to understand it as well, but by now I can safely say it is a guideline, not a rule. So what does it mean? Well, it just follows common sense really....
Do you really need a medium when you paint in oils? I say you don’t. But they can be very useful if you know what you are after.
This post caused a bit of controversy (see the 31 comments!) but I am a strong believer in letting artists find their own methods, whether that contains modern tools or not. Working from photos is fine (I do it all the time) and should not be lamented but instead taught.
Twelve tips to follow if you work with photos. Working from photos as reference materials is fine, but there are some pitfalls to keep in mind.
So, are oil paints toxic? And how do you stay safe? Can you work without any toxic materials?
How to keep your studio toxic free and safe for children and pets.
Many women wonder whether they should stop painting in oils when they are pregnant. This articles goes over the options available and choices you will have to make.
Does an expensive brand make better paint? What’s the difference between one brand and another? Can you mix brands in one painting? This article explores some of most known oil painting brands and their differences.
What makes a paint a good paint? What characteristics does good quality oil paint have? Find out whether you chose the right paint for you.
Which colours do I use the most and which brands?
Do you just squirt some paint in a random place on your palette? Or do you put the same colours in the same spot all the time? And do you always use the same colours? In this article I explain how I set up my palette and which colours usually go on it.
Black is a tricky colour. It can be deep, dark and beautiful and it can be the dullest steel-blue grey. Some say you shouldn’t use black, but they never say why. It can be a difficult colour to work with though. This article explores the various blacks available.