I recently bought two new sets of pastels: a small set of Terry Ludwig pastels and a set of Sennelier. This is my unscientific review of them.
I have used Sennelier soft pastels before, but that was many years ago and I don't have the pastels anymore (I think). Whether I used them up or whether they are actually hiding in my collection and masquerading as another brand, I have no idea. I remembered a little what they were like (very soft) but not much else.
I have read so much love for Terry Ludwig pastels from fellow pastel painters that I was very keen to try them. But for many years they were not available in Europe. Now that Jackson's stock them as well and now that I've got my pastel hat back on, I finally took the plunge and bought a set.
Now a good review would look at these two separately. Yes, I know and I apologise. But I was just keen to use both of these new sets and so decided to do a small and quick study with both sets. I just could not wait to try them out!
A Study of a Bowl
The picture I painted was done on Colourfix Original, 27x23cm/11x9", rich beige.
The first thing I noticed after I finished was the pile of dust on my easel edge. For such a small picture and such a toothy paper I was not expecting that much dust. As I used both pastel brands at the same time I won't be able to tell which is the culprit. But I have heard some pastelists say that Ludwigs can be very dusty, so I am putting my money on that one.
The stick feel very soft and velvety and are long rectangular sticks. I thought they were incredibly nice to work with and very buttery. They are hard enough to create small detail and buttery enough to create very yummy expressive marks. The sharp edges are very useful for sharp lines. I quite appreciated the lack of paper wraps, it saves me having to rip it off and get nasty surprises of hidden breakages.
Ludwigs are harder than Schmincke, softer than Unison. They feel very buttery and soft, like Schmincke. They allow for small detail as well as more expressive marks. They layer fairly well, considering how soft they are.
I've only got a 'basics' set but I thought the colours in there were very lovely, not your standard primary colours, but nice subtle earth tones that suit me very well. Their other sets also show an array in subtle beautiful colours although there seems to be a slight bias for landscape. As I paint portraits and still life, I am not sure what my next set would be if I were to choose one. I really don’t need that much green!
The Ludwigs came in a lovely sturdy black box. Although the lid does not stay on very well (Jackson's had put an elastic band around it) the box is sturdy enough to keep your pastels in. Foam inserts protect the sticks even further. Although the box is good, there is not much branding on it, no image, but there are health and safety warnings on it, which look slightly alarming to a European who is not used to seeing all these warnings on any European brand boxes.
I am very impressed with my new Ludwigs. They live up to what was said about it by so many. They are lush, velvety and soft, yet not so soft that they fill up the tooth in one go and hard enough to create detail and fine lines. The colours are great for my muted palette choices. They are potentially a little bit dusty, but I might well want more!
The sennelier portrait set of 40 half sticks are also soft, velvety and lush. They are a little similar to Terry Ludwigs. They are probably a little softer and more buttery (and a bit closer to Schmincke's) and less 'dry' than Ludwigs or Unisons. They lay down a slightly fatter mark than the Ludwigs, so they will fill the tooth of your paper a little bit sooner. They are gorgeous pastels, and I enjoyed using them. Their buttery nature makes them feel a little closer to working with paint.
I used a box of half sticks so these pastels had no label wrapping on them. They have a charming irregular finish that oozes handmade quality. The shape of the sticks leaves them very little sharp edges and the mark they make is not a sharp line.
They don't layer as well as slightly harder pastels because the soft and buttery marks fill the tooth very quickly. I like layering so for me that is a downside.
The colours in the portrait set are very nice. I love the fact that there is not the usual and predictable range of portrait pinks (as if we are all pink) but a good selection of greys, blues, and browns. There are a couple of lovely greens but I would have preferred to see more green and less bright deep reds. I am not quite sure what a cadmium type red does in a portrait set unless you are an expressionist. Overall though, the colours are beautiful, subtle and well chosen.
Senneliers are softer than Ludwigs, softer than Unison and nearly as soft as Schmincke pastels.
I was surprised by the variety, even within one small box, of softness between the sticks. The dark blues are gritty and hard and almost unusable. The whites are creamy and supersoft. I have heard others say that Sennelier has an odd inconsistency in the pastels and I will just assume this is down to the pigments. I assume they decided to let the pigments have their own characteristics, but it sure makes for a strange and inconsistent experience.
Considering Sennelier is a top brand, producing top quality pastels, I was slightly disappointed by the box. The outer box is nice enough, but very hard to open. The inner box is a basic cardbox open box. There is no lid. And it is hard to slide the box back into the outer box and close it without having to fiddle to open it up again. The pastels sit in foam inserts to keep them safe.
I love the colours of the Sennelier set. There are some really beautiful grey tones, browns and greens - just up my street. The pastels are buttery and soft and lovely to work with. I was disappointed by the inconsistent texture of the pastels and the un-protective box.
Which one do I love the most?
I got myself 40 half sticks of Sennelier and I am happy with this as my collection of super softs was a bit meagre. This is a welcome addition. But I am even more delighted with my introduction to Terry Ludwig pastels. They live up to their reputation. They are indeed a bit dusty, but they are very pleasant to work with; not too soft so still great for detail, easy to hold and don’t crumble too easily. They are consistent in their texture and come in beautiful colours.
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